First Major Exhibition of Anri Sala’s Work in the United States Opens at the New Museum February 3

Extensive multichannel audio and video installations will unfold across three floors, composing a symphonic experience specific to the New Museum
Image: Anri Sala, Ravel Ravel, 2013 (detail). Two-channel HD video and sixteen-channel sound installation, color; 20:45 min. © Anri Sala. Courtesy Galerie Chantal Crousel, Paris; Marian Goodman Gallery; and Hauser & Wirth
This February, the New Museum will present a major exhibition of the work of Anri Sala, one of the most acclaimed artists to emerge in recent decades. Though Sala has exhibited internationally since the late 1990s, â€œAnri Sala: Answer Me” will mark the most comprehensive survey of his work in the United States to date. Highlighting Sala’s continuing interest in how sound and music can engage architecture and history, the exhibition will feature extensive multichannel audio and video installations that will unfold across the Second, Third, and Fourth Floor galleries, composing a symphonic experience specific to the New Museum.

The exhibition will be on view from February 3 through April 10, 2016, and is curated by Massimiliano Gioni, Artistic Director; Margot Norton, Associate Curator; and Natalie Bell, Assistant Curator.

In his early video works from the late 1990s, Sala used documentary strategies to examine life after communism in his native Albania, observing the role of language and memory in narrating social and political histories. Since the early 2000s, his video works have probed the psychological effects of acoustic experiences, embracing both music and sound as languages capable of conjuring up images, rousing nostalgia, and communicating emotions. In subtle visual narratives, Sala often depicts what appear to be fragments of everyday life, and his intimate observations experiment with fiction to double as enigmatic portraits of society.
Since the mid-2000s, Sala’s works have featured musicians in both films and live performances: In films such as Long Sorrow (2005) and Answer Me (2008), musicians intone requiems for the failed histories dormant in the architecture surrounding them. In Le Clash (2010) and Tlatelolco Clash (2011), organ-grinders stroll deserted streets, amplifying a sense of alienation and uncertainty with their unexpected interpretations of a familiar song. The exhibition will also include a recurring live performance entitled 3-2-1 (2011/16), in which saxophonist André Vida will improvise alongside musician Jemeel Moondoc’s recorded lamentation in Long Sorrow, expanding on the dynamics of free-jazz in a duet that will change with each recital. Throughout these works, music resounds as both a cathartic release and an incantation that evokes historical chapters that are neither distant nor closed.
In recent works, Sala has interpreted musical compositions in multichannel video and sound installations that emphasize the perception of sound in relation to architectural spaces. This exhibition will feature a new spatialization of Sala’s The Present Moment (in B-flat) (2014) and The Present Moment (in D) (2014), in which the artist rearranges Arnold Schoenberg’s â€œVerklärte Nacht” [Transfigured Night] (1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.
The exhibition will also include the US premiere of Sala’s striking installation â€œRavel Ravel Unravel” (2013), first exhibited at the 55th Venice Biennale, where Sala represented France. In Ravel Ravel (2013), two interpretations of Maurice Ravel’s â€œPiano Concerto for the Left Hand in D-major” (1929–30) are projected simultaneously in a semi-anechoic chamber, a space designed to absorb sound. Sala recomposed the tempo of the concerto for each pianist so that the two performances progress in and out of sync to produce the perception of musical echoes—a paradoxical experience in a space in which actual echoes are impossible. The dynamics of repetition and reverberation—rhetorical and compositional tropes in Sala’s works—underpin the ideas explored in the exhibition and enrich the historical dialogues embedded throughout the artist’s oeuvre.

The exhibition will be accompanied by a fully illustrated catalogue, copublished by the New Museum and Phaidon, including contributions by Natalie Bell, Tacita Dean, Massimiliano Gioni, Mark Godfrey, Boris Groys, and Christine Macel.


Anri Sala in Conversation with Massimiliano Gioni
Thursday February 4, 7 PM
Join us for a special conversation between Anri Sala, one of the most esteemed artists of his generation, and Massimiliano Gioni, Artistic Director of the New Museum. The pair will discuss the trajectory of Sala’s art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition “Anri Sala: Answer Me.”  RSVP to to request a press ticket. Seating is limited.
Additional Public Programs: 

“Anri Sala: Answer Me” Panel: Between Dog and Wolf: On Sight and Sound in Space
Thursday February 24, 7 PM
“Between Dog and Wolf: On Sight and Sound in Space” will plumb questions concerning visual and aural perception, taking its cue from the synesthetic facets prevalent in the work of Anri Sala. By bringing together various scholars and cultural producers to discuss their own research and practices, the panel will address the interplay between visuality and aurality in articulating spaces of architecture, memory, and history. Panelists will include Natalie Bell, Lydia Goehr, Ernst Karel, and Marina Rosenfeld. The panel will be moderated by Christoph Cox. 
Outside the Box Gallery Talks
Thursdays at 3:30 PM

Outside the Box offers a roster of gallery-based talks given by a variety of guest speakers over the course of a season. In this series, lecturers with diverse backgrounds and affinities will address the New Museum’s spring exhibition “Anri Sala: Answer Me” in forty-five- to sixty-minute presentations taking place exclusively in the Museum’s galleries. Outside the Box gallery talks for the spring season will include:

February 11: Tracie Morris, poet
March 3: David Grubbs, musician and writer
March 17: Valerie Tevere, artist
April 7: Christoph Cox, philosopher, curator, and theorist of contemporary art and music 

All Outside the Box talks are free with Museum admission, but attendance is limited. Please RSVP here.

“Pia Camil: A Pot for a Latch”
Through April 17, 2016
Lobby Gallery

“Cheryl Donegan: Scenes + Commercials”
Through April 10, 2016
Fifth Floor

For more information, please visit:
Gabriel Einsohn, Senior Communications Director
Allison Underwood, Press & Social Media Manager
212.219.1222 x209
Andrea Schwan, Andrea Schwan Inc.