Ethics check: Are you 'fooling listeners'? 

Editor’s note: How real does reality need to be? How much editing is too much? Must a producer use only sound recorded on site, in the moment a story occurs or is reported? Are journalism and documentary bound by the same ethics?

In this piece from AIR's archive, we consider some questions sparked by the “Journalism and Storytelling: Frenemies?” session at the 2014 Third Coast Conference in Chicago. The debate continued for days on the AIRdaily, the online gathering place for AIR’s network of producers:

Back in 2000, in my American RadioWorks days, I was doing a doc for “All Things Considered,” looking back on the bombing of Pan Am 103, that plane that fell on Lockerbie, Scotland in 1988.

We opened the piece, along with narration about the plane taking off from Heathrow airport on Dec. 21, 1988, with nice stereo sound of a 747 taking off — recorded in Minneapolis in 2000.

We (my editor was Deb George, who worked for both NPR and ARW at the time) got into a little tussle with our other NPR editor, Loren Jenkins, over whether this was deceiving the listener.

We said it wasn’t ...  [READ MORE]

These links could change your life 

1. I know it's audio, but think about your image. The Heart offers 10 tips for indie podcasters. (via Canadian Broadcasting Corp.)

2. ICYMI, Radiotopia is going on a talent (pod)quest. What do *you* want to make? (via PRX)

3. But, what makes it "good"? Six ways to run a listening session, plus one list to find a session near you. (via NPR Editorial Training)

4. Why every David Carr should connect with a Ta-Nehisi Coates. Meredith Clark on inclusivity and building relationships in the newsroom. (via Poynter)

5. Unearth great material from around the web. Marketplace Business News in New York is looking for an online writer. (via Marketplace)

BONUS: AIR is hiring an operations manager. Help us find, cultivate, deploy and serve some of the most gifted talent in public media.

Meet the first AIRsters of 2016

Benjamin Frisch, Angualeme, France
Josh Samuels, Ithaca, New York
Jessica Kittams, Kansas City
Jesse Stolow, Miami
Misha Euceph, Evanston, Illinois
Eli Wirtschafter, Berkeley, California
Dan Powell, Brooklyn, New York
Heidi Shin, Cambridge, Massachusetts
Philip Nusbaum, St. Paul, Minnesota
Allison Behinger, Brooklyn, New York
Marylee Williams, Berkeley, California
Carly Helmetag, Cambridge, Massachusetts
Farai Chideya, New York, New York
Ian Coss, Roxbury Crossing, Massachusetts
Katarina Sostaric, Wrangell, Alaska
Peter Hofland, Chandler, Arizona
James Ellis, Brooklyn, New York
Marc Steiner, Baltimore, Maryland
Anders Kelto, Cambridge, Massachusetts
Samantha Clark, Gilroy, California
Tristan Cimini, Boston Massachusetts
James O’Connell, Chicago, Illinois
Sarah Gibson, Hillsborough, North Carolina
Myiesha Gordon, New York, New York
Robert Prince, Fairbanks, Alaska
Paul Schomer, Austin, Texas
Kim Chase, Baltimore, Maryland
Patrick Hockberger, Evanston, Illinois

Guy Livingston, Den Haag, The Netherlands
Tyler Pratt, Brooklyn, New York
Laura Taylor, Atlanta, Georgia
Trevor Pogue, Seattle, Washington
Thomas Walsh, New Orleans, Louisiana
Cecilia Herbert, Los Angeles, California
Joanie Tobin, Boston, Massachusetts
Jane Gray, Cambridge, Massachusetts
Bec Fary, Portarlington, Victoria, Australia
Willow Belden, Laramie, Wyoming
Elisa Parker, Grass Valley, California
Barbara Raab, New York, New York
Imran Malik, Oakland, California
Veronica Zaragovia, Aventura, Florida
Cheryl Locher, Milwaukee, Wisconsin
Kimberly Junod, Philadelphia, Pennsylvania
Carol Schatz, Anchorage, Alaska
Luisa Conlon, Berkeley, California
Joseph O’Connell, Raleigh, North Carolina
Brendan Sweeney, Washington, D.C.
Connie Stevens, Roanoke, Virginia
Tamara Berry, Knoxville, Tennessee
Brittany Moya del Pino, Kailua, Hawaii
Amy Sedlis, Birmingham, Alabama
Mimi Pickering, Whitesburg, Kentucky
Rikke Houd, Denmark

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