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News 22nd Annual Kitchener-Waterloo Arts Awards Pat the Dog Playwright Centre is thrilled to be nominated for the 22nd Annual Kitchener-Waterloo Arts Awards. Not only is this the first time we've been nominated for these awards, we've been nominated in two categories -- Literary and Performing Arts. Presentations take place on Sunday, June 6, 6:30 p.m. at The Centre In The Square, Kitchener. Wish us luck!
Magnetic North Theatre Festival Pat the Dog Playwright Centre is pleased to announce that we've been chosen to present the playwright reading series for this year's Magnetic North Theatre Festival. piece/meal is a brunch-time series providing an intimate, playful introduction to fresh new plays in development from intriguing new theatre artists. All excerpts are from full-length plays currently under development at Pat the Dog Playwright Centre. Come taste our spicy, innovative, invigorating new work served up with a soupcon of style, brioche and caffeine.
piece/meal takes place at: The Artery 158 King Street West June 14, 15, 16, 2010 11 am – 1 pm
Admission is free to Magnetic North Theatre Festival Industry Series participants. For everyone else, it's PWYC with a suggested donation of $15. Brunch included on a first-come, first-served basis.
Contests / Calls for Submissions Pitch Sessions, Magnetic North Deadline, March 29, 2010
The Magnetic North Theatre Festival is the premiere festival of contemporary Canadian theatre in English. Moving between Ottawa and another Canadian city in alternating years, we will celebrate our 8th festival in Kitchener-Waterloo. We will host 9 professional productions from across the country, a student show from Toronto, and myriad ancillary events to enrich your experience. The productions range tremendously in scale and address an array of subjects, in many different styles. What they share is the ability and desire to tour, a notion that is at the very core of Magnetic North.
Magnetic North Industry Series June 13 – 16, 2010 Presenter’s Window June 12 – 16, 2010 Magnetic North draws theatre professionals from across Canada and around the world to facilitate dialogue, networking, collaboration and exchange. From June 12 to 16 you can see all the festival’s shows during the Presenters’ Window and attend the Industry Series (June 13 – 16), which includes a full program of discussions, gatherings, and practical workshops focusing on ideas, skills, inspirations and outcomes relevant to Canadian theatre practitioners. For four days during the Festival, the Industry Series gathers together artists, producers and presenters in all stages of their careers to share, debate and cross-pollinate ideas. The Industry Series concludes with our Pitch Session, where eight new projects will be introduced to a discerning audience of programmers, presenters and fellow artists.
Pitch Session Wednesday, June 16, 1pm – 3pm The Pitch Session is an ideal opportunity for artists to take their project to the next level, find new collaborators and extend touring opportunities, by presenting their shows, or their ideas in development, to producers, artistic directors, festival curators, presenters and other cultural industry representatives. The pitches take place in a theatrical setting, this year at the Conrad Centre for the Performing Arts. We encourage theatricality in your presentation, though it is not mandatory. The rehearsal the day before the actual event will allow for feedback and revisions if you so require.
Pitch Selection Criteria
Applicants for the Pitch Session must be professional artists. It is preferable that those pitching be artistically involved in the project. Projects should have financial and producing strategies in place at the time of application. Presentations are ten (10) minutes in length and may include audio/visual support. We suggest reserving some time for questions. Applicants must be available for a technical rehearsal from 9am – noon, Tuesday, June 15 at the Conrad Centre for the Performing Arts Submission Details
Provide brief biographies of the artists (100 words max) and organizations (150 words max) involved.
Provide a summary of the project (250 words max) and relevant logistical details.
Provide a list of your audio-visual materials and technical requirements for your pitch (DVD, adaptors, etc).
Enclose a non-refundable application fee of $30 (cheque or money order written to the order of Magnetic North Theatre Festival).
Successful applicants will be responsible for securing their own travel and accommodation.
Eight (8) projects will be selected by a committee comprised of Artistic Director Ken Cameron, Industry Series Producer Naomi Campbell, Encounters Curator Kris Nelson and Industry Series Associate Producer Megan Flynn.
Please submit your completed application by March 29, 2010 Successful applicants will be notified by April 5, 2010. For more information contact Naomi at 416 703 5491 or naomic@interlog.com
www.magneticnorthfestival.ca Act NOW! National Playwriting Competition, NOW! Deadline: March 31, 2010
Are you an innovator passionate about the environment? Do you want a challenge? Do you love writing? Enter the Act NOW! National Playwriting Competition!
Who? Dreamers and change-makers (Ages 14-26, divided into junior and senior categories) What? The Act NOW! Playwriting Competition! Write a short play on sustainability When? Deadline: March 31st 2010 Where? All across Canada Why? Make a difference and push your creative boundaries
Plus, cash prizes ($500 for each winner), and the opportunity for your play to be performed all over Canada and filmed and aired by Sustainability TV, to an estimated audience of 10,000 people! Quality plays will be published in a free on-line sustainability play database for change-makers to ripple sustainability innovations.
NOW! inspires and empowers synergistic solutions toward social, economic, and environmental sustainability. Founded in 2006, NOW! is a grassroots non-profit organization run entirely by dedicated youth volunteers. Please visit www.now-org.com for more information. Call for Plays - Jury - New Canadian Drama 2010 Deadline: March 31, 2010
The pilot project for Canadian plays, established in 2006 by the Embassy of Canada in collaboration with Canadian Heritage, is now entering its 5th year and is organized since 2007 also in collaboration with the Québec Government Office in Berlin and the International Theatre Institute Germany in Berlin. Its aim remains to introduce and promote new anglo- and francophone Canadian drama in Germany.
Canadian and Québecois partners (such as Playwrights' Guild Toronto and CEAD Montreal, as well as many experts, dramaturges, directors, etc.) provided more than 120 plays in total. The plays were pre-selected, read and evaluated by the jury members, according to their potential in the multi-faceted German theatre market. In 2009, five plays were chosen. With a distribution in three languages (German, English, French) to over 600 professional contacts across the German-speaking and European theatre scene, the selection showed very promising results. This initiative raised and stabilized interest of dramaturges, artistic directors, directors, translators and agents in New Canadian Drama.
The complexity of the German theatre system demands and allows various ways to reach the decision makers. Our project is not only aimed at introducing and promoting new Canadian plays for stages in Germany, but, in a larger sense, at creating substantial networks and future collaborations especially between Canada and Germany. We experience an expanding interest from countries such as Austria, Switzerland, the Netherlands and Poland in promoting the results of this special project.
Required material should include:
completed application form; in English or French(for a copy of the application form, please email charmian@patthedog.org)
play - including date of origin
short synopsis of the play
short CV of the playwright;
foreign rights information (who is the agent or the holder of the rights?)
If required information is incomplete, the jury will be unable to accept neither the application nor the play submitted!
Please be also aware of the following NEW criteria:
Plays submitted should not be older than three years, meaning that they should neither have been written before 2007, nor have been presented to the public (reading, workshop, production or publication) before that date.
Plays don't necessarily have to have been produced in Canada/Québec already.
Plays should not yet be represented by a German agent or publisher.
The jury is, according to the German theatre market, interested in well-made plays, in all forms of new writing and, generally, in plays that deal with the challenges of today’s life, private and political, and with relevant social issues, i.e. cultural diversity, migration, open society, unemployment, environmental issues or demography.
Plays that have an obvious exclusive regional or local Canadian interest are more difficult to export to Germany.
Please do not send adaptations based on novels or films.
Plays for young audiences are welcome.
We kindly ask to send all material (preferably in PDF-format) to the Embassy of Canada in Berlin, Gabriele Naumann-Maerten (gabriele.naumann-maerten@international.gc.ca) and to the Québec Government Office in Berlin, Marie-Elisabeth Räkel (marie-elisabeth.rakel@mri.gouv.qc.ca)
Foundry Theatre Script Submission Deadline: March 31, 2010
Foundry Theatre Company is currently accepting submissions of new and developing plays for their 20010 / 2011 Reading Series. Foundry will provide an opportunity for new work to be read by actors in front of an audience and invited industry professionals, receive feedback for further development, or promote the work for production.
Foundry Theatre is passionate about the development and promotion of new Canadian work. By actively encouraging dialogue between writer, actor, and spectator, the writer has access to a varied audience to assist in the writing process.
Participation is open to all playwrights, actors, and audience members who are interested in the creation and development of new work. Readings occur on the last Monday of every month from September to May, except December, and take place at the Rearview Mirror in Kensington Market. Submission Criteria: ·Plays must be original, unpublished works in development, written by Canadian playwrights. · All genres or styles are accepted. · Works must be full length, and multi-performer. (One-man shows will not be considered) ·Submissions can be translations or contain some foreign language. ·Works must be text-based. ·Screenplays will not be accepted.
How to Submit: ·Email your submission to firstdrafttoronto@gmail.com, with “Script Submission” in the subject line. ·Submissions must include a synopsis, character breakdown, and contact information, as well as a short biography of the playwright. ·All submissions will receive confirmation of receipt within two weeks. ·PDF or protected MS Word files are preferred FEMFEST 2010: On the Edge All submissions must be received in the office by April 1, 2010
Winnipeg’s 8th Annual Festival of Plays by Women for Everyone!
Sarasvàti Productions is proud to announce that their eighth FemFest will take place in the fall of 2010 from September 25th to October 2nd in Winnipeg. We are currently seeking submissions of finished scripts and proposals of work in progress. Subject matter is wide open but our focus this year is ‘edgy’ work that takes risks. The play must be written by a Canadian female playwright and have a running time of no more than one hour. Technical and set requirements must be minimal due to the festival setting. A reading committee will assess submissions for their individual quality and in order to program a balanced festival. Each selected playwright will be paid royalties and offered the opportunity to work with a dramaturg in order to further develop the script.
Please include:
1. A cover letter -expressing why you feel your project should be a part of FemFest 2010 -detailing any production history of the script 2. A 100 word synopsis of the play. 3. A 100 word bio of the playwright. 4. One copy of the script formatted according to acceptable Canadian play script format or, in the case of a work in progress, a detailed script proposal.
In addition, we are seeking short performances for our Cabaret evenings. The Cabarets are interdisciplinary so we welcome submissions by musical groups, comedy troupes, dancers, visual artists, film-makers and multi-media work. The main creative force must be female. Groups or individuals interested in the Cabarets can simply forward information on the work they would like presented as well as a bio.
For more information please contact us at (204) 586-2236 or info@sarasvati.ca To view details on past FemFests check out our website www.sarasvati.ca
Please note that the ability to proceed with the festival is dependent on funding.
IGNITION Festival Deadline: April 15, 2010
Victory Gardens Theater announces the second IGNITION festival, supported by Allstate Insurance Company, lead corporate sponsor, and William and Orli Staley. The festival that brought you the critically-acclaimed Year Zero by Michael Golamco and Kristoffer Diaz's smash hit The Elaborate Entrance of Chad Deity is searching for another round of breakthrough plays. IGNITION creates a pipeline to production for the work of young playwrights of color. By providing this platform for the next generation, IGNITION launches new writers into the national spotlight and continues Victory Gardens' core mission of originating new plays that serve diverse communities.
Six new plays will be presented in a festival of readings scheduled for the week of August 15, 2010. These plays will be directed by leading artists of color from Chicago and around the country. Following the readings, two of the plays will be selected for intensive workshops during Victory Gardens' 2010-11 season. Victory Gardens will produce at least one of these final scripts in the 2011-12 season.
Victory Gardens provides selected playwrights with housing and transportation as well as a stipend for a one rehearsal week beginning August 15th through the final event of the festival weekend.
For further information, please call literary manager Aaron Carter at 773-328-2142 or Sandy Shinner, Associate Artistic Director and Project Director, at 773-549-5788 ext 2139.
Submission Deadline: April 15, 2010 Announcement of Six Festival Participants: June 15, 2010 Festival Dates: August 15 - August 22, 2010
Submission Guidelines:
There is no restriction as to subject matter. Victory Gardens hopes that a diversity of perspective will inform the plays, but the plays do not have to deal specifically with race, ethnicity or identity issues.
The initiative is open to all playwrights of color under 40 years old.
Playwrights must not yet have received a full production at a major regional theater.
Submitted plays must unproduced and must be in English or primarily in English.
Playwrights may only submit one full-length play.
Plays must be submitted by mail, not electronically, and should not be permanently bound.
Please include a biography or resume.
Please include a return addressed postcard if you wish to be notified that the script arrived.
All scripts will be recycled after reading and will not be returned.
There is no submission fee.
Submit to: IGNITION Victory Gardens Theater 2257 N. Lincoln Avenue Chicago, Illinois 60614 60614
Lee Playwright-In-Residence Deadline: May 15, 2010
The University of Alberta’s Department of Drama invites applications from established Canadian playwrights for the position of Lee Playwright-In-Residence.
This innovative residency offers a unique opportunity for a playwright to devote time to their own writing, and to make a significant contribution to new play development within the university and professional theatre community in Edmonton. Terms of reference for the residency stipulate that the writer spends 50% of their time writing, and 50% of their time in outreach and new play development activity with local playwrights, students and professional theatres. Although the playwright will be invited to visit university classes and to consult with students, this is not a formal teaching position. The residency is stipulated to be sixteen months over a two-year period - proposed dates: Jan - April 2011; Sept – Dec 2011; Jan - April 2012; Sept - Dec 2012. (The proposed dates above may be negotiated.)
In addition to the residency, the playwright is encouraged to accept a commission to write a new play for the graduating BFA Acting class as part of the Studio Theatre season. The culminating production for this commission is proposed for February/March 2013 in the Timms Centre For The Arts.
Interested playwrights should apply with:
curriculum vitae
a letter of intent articulating interest in the two key elements of the residency
a statement outlining interest in new play development and outreach
indication of interest and thoughts on the play commission
the names of 3 references, with contact information
Please send your application to:
Lee Playwright in Residence Selection Committee, c/o Jan Selman, Chair Department of Drama 3-146 Fine Arts Building University of Alberta Edmonton AB T6G 2C9
The salary for this position will be $4500/month. This offer includes a generous benefits package, for details visit http://www.hrs.ualberta.ca/Benefits/Glance/T8.pdfThere will be some additional travel and support for Residency activities.
The new play commission is a separate contract and will total $10,000 over two years, including a workshop or reading of the script in progress. Please see “More about the University of Alberta’s Lee Playwright-In-Residence” for additional information about the terms of this commission.
Further information about the Department of Drama and the residency and commission is available at www.ualberta.ca/drama or by contacting Kim McCaw, Associate Chair, at 780-492-1095 (e-mail: kim.mccaw@ualberta.ca)
FUSION Theatre Company Fifth Annual Short Works Festival Deadline: Submissions post-marked by April 16, 2010
Seven fully-produced world premieres. Seven different directors. A professional ensemble cast. One willing playwright who will receive transport and lodging to Albuquerque for the festival. The plays should be inspired by the theme "Hidden Agendas." Scripts may be a maximum of 10 pages. Each playwright may submit up to two scripts. Detailed submission guidelines can be found on-line at: http://www.fusionabq.org/TheSevenSubmissions.htm
4th Line Theatre’s New Play Competition Deadline: April 23, 2010
4th Line Theatre is accepting submissions for its 2010 New Play Competition. “Our goal is to succeed not only as a producer of plays, but as a grower of new work,” says Artistic Director Robert Winslow. “We have always thought of our plays as our crops. The New Play Competition allows us to plant the seeds for later harvest.”
The entry level for new projects is referred to as ‘seeding.’ Playwrights who have had at least one full-length work for the stage professionally produced are invited to submit story ideas, draft treatments or draft scenes of a proposed play project for seed funding. At a later date successful projects may be eligible for commissioning. Submissions should reflect 4th Line Theatre’s mandate and mission: to preserve and promote our Canadian cultural heritage through the development and presentation of regionally-based, environmentally staged, historical dramas and to develop and present original Canadian works of the highest quality which explore regional themes, history and heritage.
4th Line Theatre, Canada’s premiere outdoor theatre company, has made its mark on Canada’s theatre industry as a producer, promoter, and creator of new work with relevant local regional themes. Located on the 5th generation Winslow Farm in Millbrook, Ontario, the theatre attracts thousands of theatre-goers every summer to its picturesque barnyard stage.
Submissions will be reviewed by the Artistic Director and Artistic Producer. Winners will be announced in May 2010. All submissions should include the artist’s curriculum vitae, a project description and two samples of previous work. For further information regarding the New Play Competition and 4th Line Theatre’s New Play Development Program, please contact Allena Litherland at 4th Line Theatre 705-932-4448.
The 2010 Bad Dog Short Play Festival Deadline: May 21st, 2010.
A Litter of New Comedies - July 25 to 30, 2010
Beginning March 15th, The Bad Dog Theatre Company will be accepting submissions for the 2010 Bad Dog Short Play Festival. The Festival runs July 26th to July 30th, 2010. Each night will contain performance slots and each company participating in the festival will receive three performance dates.
The Bad Dog SPF is a juried festival dedicated to showcasing brand new, never-produced original written Canadian comedic short works. SPF is the only theatre festival in Toronto with an exclusive focus on comedic writing, performance and production.
If you have any further questions – contact SPF Director Liana Vieira, via baddogspf@gmail.com.
Application forms may also be downloaded digitally from baddogtheatre.com
Next Stage Theatre Festival 2011 Deadline: May 24th, 2010 at 5:00PM
Presented by the Toronto Fringe, The Next Stage Theatre Festival is a curated festival which showcases new and reworked productions by eight of the hottest independent theatre companies who have previously produced an artistically successful production at a Canadian Association of Fringe Festivals member festival. In three years, Next Stage has received critical acclaim and established strong resources for independent companies looking to reach a wider audience and present their work in a more professional light than the summer festival model. This past year, NSTF had an 18% increase in ticketed attendance and returned over $41,000 to participating independent theatre companies!
Don't miss this chance to take your work to the Next Stage
Application and Information are available at fringetoronto.com
2010 Siminovitch Prize: Canadian Directors Deadline: June 4, 2010
Canada’s largest annual theatre arts award, the 2010 Siminovitch Prize in Theatre will be given to a professional director who advances Canadian theatre through a body of work achieved in recent years, while influencing and inspiring younger theatre artists. Completed nominations must be submitted no later than 5:00 p.m. EST on Friday, June 4, 2010.
To learn more or download the nomination form visit: www.siminovitchprize.com
The Evolution Fund Deadline: July 26th 2010 at 5:00PM
The Evolution Fund is no-strings-attached funding designed to encourage independent companies to take projects past the development phase and into self-production.
The Evolution Fund was created to further the Fringe’s role as a cornerstone for independent theatre artists in Canada by offering funds for production. The fund supports remounts of Fringe productions outside of the festival structure.
Application and Information are available at fringetoronto.com
Workshops / Professional Development
Introduction To Adjudication, Theatre Ontario Deadline: March 31, 2010
Theatre Ontario’s “Introduction To Adjudication” is a course for emerging and potential adjudicators. Participants will receive training in the principles of adjudication, attend performances of the 2010 Theatre Ontario Festival, practice adjudicating presentation skills in a private setting, and conduct a private mock awards ceremony. After the course, participants will also have the opportunity to perform a practice adjudication, at their discretion. The course runs May 19 to May 23 in London, Ontario. The application deadline is March 31. For more information, please visit http://theatreontario.org/content/adjudicatorintroduction.htm Forum Theatre Workshops, Mixed Company Theatre
By popular demand, Mixed Company Theatre once again presents its Forum Theatre Workshops this summer. Sessions include a two-part Introduction to Forum Theatre, a two-day exploration of Masks of Manipulations and a three-day Joker/Facilitator workshop. For over 25 years, Mixed Company Artistic Director and primary workshop facilitator Simon Malbogat has engaged audiences and students in the art of Forum Theatre in numerous countries and he continues to be an in-demand educator.
These workshops challenge participants to awaken the internal and external manipulators of human behaviour, and master nuances for guiding groups through hard-to-talk about issues. Designed for educators, social workers, community leaders, theatre students and professionals, workshop participants will learn the methodology of forum theatre – a UNESCO-recognized tool for positive social change – these professional development workshops create a space for solving problems and practicing solutions. Forum Theatre scenes are quickly created and participants practice various styles of facilitation. By studying themselves and others with input from the group, participants learn conflict resolution, audience/group management, and techniques that further animate an audience to express their opinions and ideas.
Through the fine art of ‘Joking’ – asking questions, making connections, and instructing in the engagement of groups, Forum Theatre audiences and “Spect-actors” – all of Mixed Company Theatre’s high calibre, experienced facilitators deliver solutions to help you address your unique challenges.
WORKSHOP SCHEDULE
Intro to Forum Theatre Part I May 7 May 21 June 28 August 6
Intro to Forum Theatre Part II May 7 May 21 June 28 August 6
Masks and Manipulations June 29-June 30 August 9-August 10
Joker Master Class August 11-August 13
For more information or to reserve your spot, contact 416 515 8080 x22 or info@mixedcompanytheatre.com 2010 Great Blue Heron Writing Workshop
The 2010 Great Blue Heron Writing Workshop (June 29 – July 4) at St. Francis Xavier University, Antigonish, offers mid-level writers a wonderful opportunity to develop their writing by working with some of Canada’s top writers in the areas of fiction, playwriting, poetry, or memoir. In addition this year the Great Blue Heron is offering a workshop specifically for young writers (ages 16-21).
Held on the StFX campus, this intense workshop involves participants in group and individual sessions with workshop faculty, and offers a venue for public and private readings by faculty and participants. The workshop group and individual sessions, the informal social events and sharing of writing experiences that are part of the Great Blue Heron, inspire participants to continue to develop their craft. This year’s workshop faculty includes:
Daniel MacIvor – Playwriting http://www.danielmacivor.com/ Beth Powning – Memoir http://www.powning.com/beth/ Sue Goyette – Poetry http://www.writers.ns.ca/Writers/sgoyette.html Linda Little – Fiction http://www.writers.ns.ca/Writers/llittle.html Lorri Neilsen Glenn – Youth Writing Workshop http://www.writers.ns.ca/Writers/lneilsen.html
For more information about the Great Blue Heron Writing Workshop, please see the following: http://www.stfx.ca/workshops/gbheron/index.htm or contact Brenda Riley at 902.867.4532 or email briley@stfx.ca
Events World Theatre Day -- March 27, 2010
World Theatre Day was created in 1961 by the International Theatre Institute, and is celebrated annually on March 27 around the world. The first World Theatre Day International Message was written by Jean Cocteau in 1962. Previous authors have included Peter Brook, Robert LePage and Augusto Boal. This year's message comes from Dame Judi Dench and appears below.
World Theatre Day Message 2010 by Dame Judi Dench
World Theatre Day is an opportunity to celebrate Theatre in all its myriad forms. Theatre is a source of entertainment and inspiration and has the ability to dignify the many diverse cultures and peoples that exist throughout the world. But theatre is more than that and also provides opportunities to educate and inform.
Theatre is performed throughout the world and not always in a traditional theatre setting. Performances can occur in a small village in Africa, next to a mountain in Armenia, on a tiny island in the Pacific. All it needs is a space and an audience. Theatre has the ability to make us smile, to make us cry, but should also make us think and reflect.
Theatre comes about through team work. Actors are the people who are seen, but there is an amazing set of people who are not seen. They are equally as important as the actors and their differing and specialist skills make it possible for a production to take place. They too must share in any triumphs and successes that may hopefully occur.
March 27 is always the official World Theatre Day. In many ways every day should be considered a theatre day, as we have a responsibility to continue the tradition to entertain, to educate and to enlighten our audiences, without whom we couldn’t exist.
Jobs / Internships
Associate Producer, Necessary Angel Theatre Company Deadline: Friday, March 26, 2010 Term: Full-time Start Date: May 1, 2010
Necessary Angel is currently accepting applications for the position of Associate Producer. Working with the Producer & General Manager, the Artistic Director, the Touring & Production Manager, and the company’s Board of Directors, the Associate Producer will play a valuable role in fulfilling Necessary Angel’s mission to fully explore the theatrical arts by creating original work that challenges assumptions and engages multiple points of view, while seeking to provoke and astonish. Founded in 1978 and based in Toronto, Necessary Angel tours it’s work nationally and internationally.
Necessary Angel is committed to a collaborative working practice. Shared areas of responsibility include but are not limited to:
managing the company’s day-to-day affairs
production support
marketing and publicity
outreach
fundraising
grant writing and reporting
managing the company’s on-line platform and database system
Qualifications:
Post-secondary education in arts, arts administration, or equivalent
At least 2 years experience working for a professional arts organization or equivalent (experience working for a performing arts organization an asset)
Strong computer skills with proficiency in the use of Microsoft Word, Excel, and Outlook (basic Microsoft Access and Adobe Photoshop an asset)
Strong written and verbal communication skills
Ability to prioritize, multi-task, work independently, collaboratively, and meet deadlines
Please send a cover letter, resume, and a list of 3 references no later than Friday, March 26, 2010 to the attention of Kate Fennell.
Applications submitted by email to kate@necessaryangel.com will be accepted. Please put “Associate Producer” in the subject line.
You may also submit by mail to: Necessary Angel Theatre Company 401 Richmond Street, Suite 392 Toronto, ON M5V 3A8 Re: Associate Producer
Necessary Angel thanks all applicants for their interest but only selected applicants will be contacted for an interview.
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